My process-led practice centres on the transformation of found objects lost, discarded, overlooked and ignored. Objects become intriguing due to their texture, shape, form, lines, colour, scale and the traces of the past they hold. The contrast between materials evokes a visual and emotional response that stimulates the creative process. Dirt and decay linger, the objects often incomplete and brittle speak of fragility, loss and the fleeting nature of existence.
Using only the objects gathered to preserve their true form; materials are manipulated and reworked through a playful, intuitive and improvised process of making. Using hand construction methods (without the use of nails, glue, screws or paint) a dialogue between object and artist is formed, an exploration of possibilities that push the boundaries of materials where unexpected deviations take the lead. Unique structures emerge that draw on the intersection of past and present revealing new narratives and untold histories.